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In the few years following Blonde, Ocean shared a string of singles through his Apple Music show, blonded RADIO, each one its own miniature event. If Channel ORANGE had sounded like Ocean opening up, Blonde marked a contraction, exploring meditations and internal monologue with a sound that often felt more like ambient music than R&B.
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After a four-year period during which news of his next move flitted around in the internet ether like myth, Ocean released two projects in a week, in August 2016: the visual album Endless and the more conventionally framed Blonde. The writing got sharper, too-at once more pitiless (“Crack Rock”), more expressive (“Bad Religion”), and more surreal (“Pyramids”), weaving storytelling and social commentary with an offhand brilliance that has become Ocean’s trademark sleight of hand. Exactly at 4:26, however, the entire song does a 180. 'Pyramids' is a 9 minute song that begins pretty forgettably, in my humble opinion. In 2012, he released Channel ORANGE, which veered from Stevie Wonder-style soul to string-led gospel and psychedelia, framing R&B as a kind of rarified art music. A few days ago, Frank Ocean debuted his single for his upcoming official LP, Channel Orange. He was soulful, funny, understated, and poetic, the kind of writer who made fragments of the real world-a girl doing porn to cover tuition (“Novacane”), a dip in the ocean (“Swim Good”)-crackle with mystical significance.įrom Kanye, Jay-Z, and Beyoncé on down, he gained a cult of followers. Ocean was raised mostly in New Orleans, and moved to Los Angeles in the mid-2000s by 2009, he’d landed a contract with Def Jam, but couldn’t square the relationship with his ambitions and ended up releasing his first mixtape, 2011’s Nostalgia, Ultra, on his own. Even in his early days as the quiet one in the LA hip-hop collective Odd Future, Ocean seemed possessed by a stoicism and emotional intelligence that was uncommon, luminous-the kind of guy who sees more than he says and doesn’t waste a word when he opens his mouth. It’s that Frank Ocean is one of those songwriters who manages to touch new and distant places in his audience’s imagination, a cartographer of intimacy and confession so intrepid and sensitive that listening to him can feel like eavesdropping on something private, maybe even inexpressible. It’s not even his style (which seems invincible), or the fact that he’s one of the few pop artists publicly navigating the frontiers of queer identity. Underneath our legion's view Oh oh oh ooh."It’s not just that he’s an enigma or that he follows his own clock. There's a thief out on the move Oh oh oh ooh. Pyramids Frank Ocean Track 10 on channel ORANGE This is Frank Ocean’s near 10 minute long tale of the ancient history of the Black woman, and her gradual decline from a Queen in her homeland to. Set the cheetahs on the loose Oh oh oh ooh.
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They have taken Cleopatra Run run run, come back for my glory Bring her back to me Run run run, the crown of our pharaoh The throne of our queen is empty We'll run to the future, shining like diamonds In a rocky world, rocky-rocky world Our skin like bronze and our hair like cashmere As we march to rhythm on the palace floor Chandeliers inside the pyramid, Tremble from the force Cymbals crash inside the pyramid, Voices fill up the halls Oh oh oh ooh. Underneath our legion's view Oh oh oh ooh. There's a thief out on the move Oh oh oh ooh. Channel ORANGE breezes from sepia-toned Stevie Wonder homage (Sweet Life) to the corrosive cosmic funk of Pyramids, which stretches from ancient pharaoh queens to 21st-century pimps. Set the cheetahs on the loose Oh oh oh ooh. Stepping away from both the pop songwriting machine and his former crew Odd Future’s stoned anarchy, Frank Ocean guides us on a meandering but purposeful journey through his own vast mythological universe on his major-label debut.